YOJ09-51 Marquise Series: Pendant 5

Marquise Series:  Pendant 5 (2009)
Sterling silver, fine silver, Swarovski crystal
Constructed, cold-joined, nalbinding
L 6.5 cm x W 1.3 cm

This pendant is made of two “recycled” pieces from Bracelet 3, which didn’t match the other links.  Initially I only added the Swarovskis as embellishment, but the pendant looked unbalanced.  So I decided to add some viking knitting – nalbinding – and create a ribbon-like effect.  The work involved in adding the nalbinding bumps this up from production piece to a “couture” One of a Kind or Limited Edition.

I’m not completely satisfied with how it turned out, but I’m also not able to define what is bothering me about it.   It might just be that it doesn’t work as a pendant.  The design would certainly make a fabulous pair of earrings.  Comments are welcome!

YOJ09-22 Viking Knit Bracelet

Viking Knit Bracelet (2009)
Fine silver, sterling silver
Nalbinding, cold connected
L 20.5 cm x W 0.4 cm

I’m hard at work on the tutorials for my class, so this week’s project is the product of that work.  I’ve been doing a lot of photography, and editing and layout.  I’ve been pretty much eating, sleeping and breathing the project.  The first tutorial is finished, and the second is well in hand.  Four to go… and six weeks until the classes start.

More photos:

YOJ09-21 Viking Knit Torus

Viking Knit Torus (2009)
Sterling silver
Nalbinding
L 55 mm x W 55 mm x D 10 mm

I’m insane.

People who know me are familiar with this quirk in my personality, but every now and again I feel compelled to demonstrate it.  Hence, this week I decided – despite numerous pressing deadlines – I absolutely had to attempt making a torus out of viking knitting.

Nalbinding was historically used for things like socks, mittens, bags, hats and the like.  In wire, it’s been used mostly for chainwork.  To the best of my knowledge, no one has tried using it for sculptural wirework, and certainly no one has tried using it to construct a torus.  Loren Damewood, who I’ve had the pleasure of meeting, has made a toroid bracelet out of string, with plans to attempt it in wire, but his technique is marlinspike knotting.

Thanks to my experience making the Merry Meet necklace, I decided to make the first attempt in polymer coated wire.  I have pounds of the stuff, and it’s great for experimenting.  Unfortunately though, it doesn’t lend itself to annealing, which meant I could only get as far as shaping the torus.  I couldn’t finish the seaming without risking wire breakage.

I’m contributing that first piece to The Metal Arts Guild of Canada’s call for Nuit Blanche 2009.

I’m completely obsessed with this idea, so decided that I would try one in silver.  At the Zilberschmuck “Connection” opening a couple of weeks ago, I was talking to Charles Funnell about viking knitting.  He had been trying to do some chainwork and was finding it challenging.  I commented that it would work better in fine silver than in sterling, because the metal is more maleable.  Unfortunately, the only fine silver wire I have on hand at the moment is 28 ga, and the idea of doing it in that fine a gauge really didn’t appeal to me.  So, I decided to try 24 ga sterling in dead soft.

Well…

It was easier to work than the polymer coated copper, but I still ended up with a blister on my pinky from pulling wire.  After a while, even wearing a bandage on the finger didn’t help.  Yes, I suffer for my art…

The main challenge of a torus is making it seamless. The rest is just like making tubing.  I figured out a way of making the stitches nice and tight, thanks to a tool that Loren uses for his turks head knot rings.  Three stitches before the finish, and despite frequent annealing, the wire broke on me!  :bang head:

Luckily the repair was easy, and I was able to finish it up.  I spent far too many hours on this, but I’m very pleased with it and want to make more as time and my finger permit.  The ghost of Frank Hoffmann is whispering in my ear again though:  for the amount of work involved, I should be making it in gold.

More photos:

YOJ09-20 Viking Knit Ring

Viking Knit Ring (2009)
Fine silver, malachite, howlite
Nalbinding, single knit, constructed, cold joined

I finally got back to writing this week!  I have six tutorials to write in preparation for my class in Haliburton in July.  So far I have completed writing the draft on one of them.  Photos and actually putting the tutorials together are still outstanding.  I’m keenly aware of how quickly the time is going, so a few weeks ago I decided to put Tigger into daycare two days as week.  That is giving me several hours of uninterrupted work time, since it co-incides with the days that Thumper is in school.  What Heaven!

Usually I make the project, writing the steps as I go.  Then I put the text aside for a week or so, come back to it and reconstruct it following my instructions.  If I stumble on any part of it, that means a rewrite is in order.   Refining continues as I take the photos and do the layout.  Lots of work… which means I gotta start makin’ like a bread truck and haul buns…

This week, I was working on instructions for viking knitting.  I experimented with incorporating 2 and 4 mm beads, which led to a screw up – err… “Design Choice” – when I went to draw the chain.  I ended up having to take the chain apart, but salvaged enough to make this ring.  It’s been an interesting experiment in timing myself as well – construction of enough chain to make a bracelet is taking a little over 2 hours.  Adding the beads was just for my amusement, and won’t be part of the final instructions.

More photos:

YOJ09-12 Viking Knit Chain (and “Merry Meet”)

Viking Knit Chain (2009)
Fine silver, sterling silver
Chain L 68.6 cm x W 0.35 cm
Pendant L 5.8 cm x W 2.5 cm
Nalbinding, constructed, cold-connected, flameworked, cast

Several years ago, my husband and I collaborated on making a Thor’s Hammer.  Malcolm is fascinated by all things Norse, to the point where I’ve joked many times about him being a born-again Viking.  He carved the cross for this pendant, but struggled to model the head properly.  I came up with the idea of forming the head out of stick tack (aka white tack, blue tack etc etc), and then we cold molded the whole piece for casting.  That original was finished, and then remolded and four more pieces were cast.

Malcolm made himself a lovely chain to go with the original.  Unfortunately, our studio gremlins made off with it some time during our move, so all he has now are the copies.  Wanting to wear his Thor’s Hammer, he recently asked me to make a chain for him.

So this week, on the heels of finishing my competition entry, I decided to whip it off.  My hands are not quite recovered from the massive project, so by the time I was half way through working on this chain, I was having to put a bandaid on my pinky.  I was developing a blister from all the pulling.

My beloved husband is very happy with his new chain, and thrilled to be wearing his pendant.

Some more photos:


Also, as promised, I’m posting the photo of my competition entry to “Connection”, the National Juried Exhibition being held by Zilberschmuck Art Jewellery and hosted at Shao Design. The call for entry asked: “What is your interpretation of the word “CONNECTION”? Is there a connection part, link or bond? Is there an association or relationship between two or more things? Do associates, relations, acquaintances or friends influence the outcome of the piece? Is it a single connection or one of many types and kinds of connections that make up the piece? How can these ideas be formalized into a three-dimensional piece?”  My entry focused on the connection we make with each other, through a handshake. Clasping hands in greeting, in parting, in confirming business arrangements, in offering congratulations, is often the only physical connection we make with each other.

Merry Meet (2009)
Fine silver, sterling silver, glass
L 102 cm x W 7.0 cm
Nalbinding, constructed, cold-joined, liver of sulphur patination

My husband’s comment about this piece:  “It’s odd.”

Yes, but that’s  “art” jewellery for you… LOL

The hands clasp together just over the solar plexus.  If I thought anyone would wear it that way, I would have liked to turn it into a stomacher – I think it would be well suited for that – but it works as a necklace as well.

From start to finish, it took two months of solid work to construct, and is (pardon the pun) hands down, one of the most ambitious pieces I’ve ever attempted.  It’s not exactly what I envisioned – that would have taken another three months of work to complete.

As I mentioned last week, it didn’t make the final cut for the exhibition, but I’m not disappointed about that.  I am satisfied that I got it done in time for judging.

Here are more detail photos, along with shots taken during construction:

YOJ09-10 Fun with Fibre

Fun with Fibre Earrings 1 (2009)

Sterling silver, wool
L 6.7 cm x W 0.5 cm
Formed, wet-felted

Fun with Fibre Pendant 1 (2009)

Sterling silver, wool
L 6.5 cm x W 0.4 cm
Formed, wet-felted

Fun with Fibre Pendant 2 (2009)

Sterling silver, fine silver, cotton thread
L 4.5 cm x W 0.45 cm
Nalbinding (viking knitting), embroidered

This has been a frustrating week, in terms of getting anything done.  Number 2 Son has been demanding a lot of attention.  “I want to do homework!  I want another printing sheet!” every 10 freaking minutes.  Normally, a parent loves to hear that their child wants to do homework, but in my case, it meant getting up from bench, sitting down at the computer, waiting for him to make up his mind about what he wanted to work on – an achingly slow process – and then printing it off.  As a result, I was never able to focus on finishing the project whose deadline came and went on Friday.

He starts JK in the fall, and then I will have more extended blocks of time to work without interruption.  I’m trying to enjoy these last couple of months of us being together before he becomes a Big School Boy, but geez it’s annoying to miss a deadline.

I haven’t given up on trying to finish the project, which is very labour intensive, but by last night, I decided that I needed to change gears.  “Ferris Bueller’s Day Off” was on tv, so I set up my felting stuff on the floor, and played while watching the movie.  I’m still working on learning felting, still hoping to apply it to bonsai.  One of the websites I stumbled across applied roving to craft wire, so I thought I’d give that a go.

My results are nothing spectacular, but then they weren’t intended to be.

The other thing I wanted to try was mixing fibre and nalbinding.  I actually wanted to mix nalbinding with wire embroidery, but figured it would be too high on the PITA factor.  I ended up using embroidery thread, but the idea still has a high PITA factor.  My embroidering skills leave much to be desired as well *grin*.   I may try the idea again, but approach it differently.

More photos: